Thursday, October 31, 2019

Historical Events Paper Research Example | Topics and Well Written Essays - 750 words

Historical Events - Research Paper Example The development and expansion story of education has just remained to be one of the expanding accesses with various differences arising at every dawn of collegiate growth in each new era. Higher educational institutions were largely supported by the educational philanthropists whenever reflected back in the 12th century during the time of medieval universities development (Riesman, 2001). The higher education system is perceived to have mainly originated in the United States whereby its development has been influenced by a series of events. The federal government became directly linked to the higher education during the time of the civil war. During this period, the southern congressmen who had a tendency of opposing the legislature were missing in the action. Most of the proposals and objectives were created under the Morril Act of 1862 that was in pursuit of the educational motion gearing programs. Among the programs proved to subdue the higher educational programs included: mechanical, agricultural, and military sciences encompassing the liberal arts. The state decided to attach some new programs like agricultural and engineering to historic colleges. This was aimed at boosting the political strength and expansion of the university definition scope and the curricula between 1887 and 1914. This Act of Morril was termed as the land grant-act due to the collective su pport gain exert on colleges to enhance development. The second Morril Act of 1890 considered to be the latest stimulated the expansion power of the federal engagement in the education development. This led to the funding of projects that related to land-grant campuses (Razzell, 2006). Basing on the Morril Act with the federal legislation furry, African –Americans were faced with great attention through the receivership of mixed results due to differences experienced in treatment. This act provided the policy of strictly funding the African-American

Tuesday, October 29, 2019

Can Orton and Ravenhilll be described as radical queers Essay

Can Orton and Ravenhilll be described as radical queers - Essay Example Still, there was a contention that Orton somehow managed to contribute to the movement for gay rights.4 Mark Ravenhill who was openly gay and forthright about being HIV positive weaved together plays that waged an assault on social structures and arguably advocated for social change for the oppressed including gays.5 This essay argues that both Ravenhill and Orton are properly characterized as radical gays. In order to demonstrate queer radicalism on the part of Orton and Ravenhill, this essay conducts an analysis of some of their plays that substantiate this claim. This essay is therefore divided into two parts. The first part of this essay analyses some of Orton’s plays as a means of demonstrating that he can be properly characterized as a radical queer. The second part of this essay also analysed some of Ravenhill’s plays as a means of demonstrating that Ravenhill was also a radical queer. Nakayama argues that Orton’s plays were self-conscious creations of an alternative to the standard heterosexual society and in particular the â€Å"bourgeois norm of the nuclear family† as opposed to a â€Å"neurotic repetition of it†.6 Regardless there are two perspectives relative to whether or not Orton was indeed a queer radical. One perspective argues that Orton given the times in which Orton wrote, his plays indicate that he was â€Å"an advance guard of† the sexual revolution and a â€Å"sort of fifth columnist among sexual conservatives†.7 That some of Orton’s plays such as What the Butler Saw focused so sharply on clandestine sexuality that it was obvious that Orton was content to â€Å"remain in the closet without directly confronting the sexual powers that were†.8 The criticisms of What the Butler Saw arise out of what Orton failed to do rather than what he actually did in the play. Butler was written in 1967 before theatre censorship had come to an end. However, since

Sunday, October 27, 2019

The Production Of Gorillaz Album Plastic Beach Music Essay

The Production Of Gorillaz Album Plastic Beach Music Essay Creators of Gorillaz, musician Damon Albarn and artist Jamie Hewlett, began working on a new Gorillaz project in November 2007 called Carousel,[1] which evolved into Plastic Beach, the groups third studio album.[2] In the November 2007 issue of Q, when asked what his top priority for 2008 was, Damon Albarn replied Well, Im doing the next Gorillaz thing, but it wont be called Gorillaz.[1] In the February 2008 Gorillaz-Unofficial interview, Jamie Hewlett elaborated on this, saying I think the idea behind it is that its like how The Who presented their movies Tommy and Quadrophenia and so on. Those were presented as by The Who even though none of the members of the band were in the movies. I dont think anyone from The Who was in Quadrophenia. But its the same people working on it, thats the principle.[3] In a July 2008 interview with The Observer he also said, Gorillaz now to us is not like four animated characters any more its more like an organisation of people doing new projects. [ ] Thats my ideal model Gorillaz is a group of people who gave you this, and now want to give you new stuff.[4] In the Observer interview, Hewlett said that there is a new project which Damon and I are working on now, called Carousel, which is even bigger and more difficult than Monkey, and it isnt going to fit anywhere and no ones going to like it, ha ha ha! Weve started work Ive done a lot of visuals and Damons done a lot of music but we havent figured out how theyre going to fit together. I cant say much about it yet but its sort of like a film, but not with one narrative story. Theres many stories, told around a bigger story, set to music, and done in live action, animation, all different styles, well originally it was a film but now we think its a film and its a stage thing as well and look, its basically us doing what the fuck we want without worrying about whether its for a record company or a film company or whatever. So Im not sure how itll pan out, or even if it will happen. But Damons written around 70 songs for it, and Ive got great plans for the visuals, but right now, at this mo ment, its still just a really good idea.[4] Carousel was to be about the mystical aspects of Britain.[2] [edit] Concept Damon Albarn got the idea for Plastic Beach while on a beach next to his house: I was just looking for all the plastic within the sand, he said.[2] On 17 September 2008, Albarn and Jamie Hewlett announced that they would be doing another Gorillaz album in an interview with CBC News.[5] Hewlett said that from their work on Monkey, we just learned more about what we do, musically and artistically. Thats a great place to come at when we come to another Gorillaz album. It doesnt have to be animation and music.[6] Hewlett also expressed annoyance at having to draw the band members again: Im so fucking bored of drawing those characters. But then we had a moment where we had a new angle on it Im gonna adapt them.[5] In a later interview Hewlett said: theyll be the same characters, but a little bit older and told in a different way.[7] Albarn said in September 2008 that he wanted to work with an incredibly eclectic, surprising cast of people.[8] As with previous Gorillaz albums, Plastic Beach features a number of collaborations with other musicians and music groups. The album features Snoop Dogg, Hypnotic Brass Ensemble, Kano, Bashy, Bobby Womack, Mos Def, Gruff Rhys, De La Soul, Little Dragon, Mark E. Smith, Lou Reed, Mick Jones, Paul Simonon, Yukimi Nagano, sinfonia ViVA and The Syrian National Orchestra for Oriental Arabic Music.[9] [edit] Recording Albarn began recording material for a new Gorillaz album around June 2008.[10] He travelled to Beirut in March 2009 to record with the National Orchestra for Oriental Arabic Music.[11] The following month, he recorded with Derby-based orchestra sinfonia ViVa.[11] Grime rappers Kano and Bashy, who feature on White Flag, both had the flu during recording. Kano said We werent feeling great, the music was out of our comfort zone, it could have been a complete disaster.[11] Bobby Womack knew nothing about Gorillaz and was initially unsure about the collaboration, however, his daughter liked Gorillaz and convinced him to do it.[12] Womack was told to sing whatever was on his mind during the recording of Stylo. I was in there for an hour going crazy about love and politics, getting it off my chest, said Womack.[11] After an hour of recording, Womack, a diabetic, started to pass out. He was sat down and given a banana, before waking up minutes later.[11] Sweepstakes, the first song Mos Def r ecorded with Gorillaz,[13] was done in one take.[11] Mos Def described the song as one of the greatest things as an MC that Ive ever done.[13] Mick Jones and Paul Simonon completed their portion of the title track Plastic Beach in a day.[11] Several musicians who collaborated on songs for the album did not end up having all or any of their songs appear on the final album; some guests announced to have collaborated with the band do not feature on the album. British garage rock band The Horrors were invited to play on the album after Albarn heard their 2009 album Primary Colours.[14] They recorded a track with Albarn,[15] but no songs with the band appear on the final album. In an interview with Entertainment Weekly, Posdnuos of De La Soul said that the group had provided vocals on two songs for the album, Electric Shock and Sloped Tropics.[16] De La Soul only features on one song on the album, titled Superfast Jellyfish. Gruff Rhys recorded two songs Superfast Jellyfish and Leviathan. The latter, described by Rhys as more of a night-time song, a three oclock in the morning, speeding down the autobahn evading West German police-type track, does not feature on the album.[11] Mos Def said that he collaborated with Albarn on three songs;[13] however, Def only appears on two songs on the album. Albarn had previously announced that musician Barry Gibb would feature on the album but Gibb did not turn up to any recording sessions.[2] Animated Gorillaz bassist Murdoc said the band had collaborated with actress Una Stubbs,[10] however, she too does not appear on any of the albums tracks. [edit] Music Albarn said in an interview, Im making this one the most pop record Ive ever made in many ways, but with all my experience to try and at least present something that has got depth.[2] He added, I suppose what Ive done with this Gorillaz record is Ive tried to connect pop sensibility with trying to make people understand the essential melancholy of buying a ready made meal in loads of plastic packaging. People who watch X Factor might have some emotional connection to these things, this detritus that accompanies what seems to be the most important thing in peoples eyes, the celebrity voyeurism.[2] The first time Albarn went to Mali, he was taken to a landfill where he saw people taking every little bit, a little bit of fabric to the fabric regenerators, or the metal and the cans to the ironsmiths and the aluminium recyclers, and it goes on and by the time you get to the road, theyre selling stuff.[2] When Albarn went to a landfill outside of London to record the sound of seagulls for the album, he noticed a juxtaposition between the way the two countries dealt with rubbish.[2] Theyve got more snakes like adders, grass snakes, slow worms, toads, frogs, newts, all kinds of rodents, all kinds of squirrels, a massive amount of squirrels, a massive amount of foxes, and obviously, seagulls. [] This is part of the new ecology. And for the first time I saw the world in a new way. Ive always felt, Im trying to get across on this new record, the idea that plastic, we see it as being against nature but its come out of nature. We didnt create plastic, nature created plastic. And just seei ng the snakes like living in the warmth of decomposing plastic bags. They like it. It was a strange kind of optimism that I felt but trying to get that into pop music is a challenge, anyway. But important.[2] Albarn says the album maintains a lot of the melancholy from Carousel.[2] He worked hard on making his lyrics and melodies clear on the album.[2] Loads of orchestral stuff was recorded but only a fraction made it onto the final album.[2] [edit] Release and promotion On a black background is red uppercase text in a thick wavy font. The top line says Gorillaz, the second line says Plastic and the third line says Beach. The Plastic Beach logo used in promotional videos. A new picture of the band was published on 9 December 2009 on the cover of the UK edition of Wired magazine. On 14 January 2009, Albarn made an appearance as a guest DJ on BBC Radio 1, premiering demos of three new Gorillaz songs Electric Shock, Broken and Stylo.[17]. Stylo went to be heavily edited in its final version, while Broken remained mostly unchanged. Electric Shock did not make the album, though samples of the song were used in Rhinestone Eyes, as well as the intro orchestral separated into bonus track Three Hearts, Seven Seas, Twelve Moons. On 20 January 2010, the official Gorillaz website was heavily revamped to fit the Plastic Beach theme. Over a period of time, a numerous amount of short clips were posted on the site, mainly showing various shots of a large Plastic Beach model backed by segments of new Gorillaz music. Out of the 13 short clips, only 2 of the clips had audio that would eventually end up on the album. The tracks were White Flag and Pirates Progress (an extended version of the Orchestral Intro found on the album). Also on the website was a countdown timer, which on 23 February 2010 counted down to zero. After a significant delay, a new full Kong studios-esque interactive Plastic Beach Beachsite was uploaded onto the website, opening certain sections of Plastic Beach to be visited by guests. On 21 January 2010, Gorillaz member Murdoc took over NME Radio and Yahoo! Radio. He played a 45 minute set of songs while providing exposition on the story of Gorillaz. A total of four broadcasts were uploaded online, leading to the release of the album. All four are now available on the official Gorillaz website. Short animated idents have been released for fictional band members Murdoc, 2D, Russel, and the Noodle cyborg. The first depicts Murdoc fleeing from an unknown, rifle-wielding assailant, and the second depicts 2Ds abduction and transportation to Plastic Beach by a masked figure. The third features a snippet of the song Three Hearts, Seven Seas, Twelve Moons playing in the background. The track can be found as a bonus track along with Pirates Progress on the iTunes Deluxe edition. Russels ident has him stomping off of the edge of a pier and diving into the ocean, presumably headed to Plastic Beach for reasons unknown. The fourth feature a zoom in on the cyborg, its face plate open. A fifth ident has been released, showing a luxury cruise sail being bombarded by torpedoes coming from planes flying above it. A crew member rushes over to cabin 13 to warn a passenger, who is revealed to be Noodle (wearing the Oni Mask), that the cruise is under attack by pirates and he was told to escort her to the lifeboats. Noodle then grabs her briefcase and opens it, revealing a gun, and passes the crew member while heading out, presumably to face the pirates. Noodles ident acts as a trailer to the On Melancholy Hill music video, which was released on June 15. On 26 February 2010, a minimix of the album was made available on the official website to download for free.[18] The minimix is an eight-minute composition of songs from the album, a number of which had not been previously released. Welcome to the World of the Plastic Beach, Rhinestone Eyes and White Flag were premiered on the Australian radio station Triple J on 28 February 2010, in respective order, at one hour intervals. On 1 March 2010, NPR debuted the entire album via streaming.[19] Later on in the day, the album also become available for streaming at Guardian.co.uk.[20] [edit] Singles The album has produced two singles as of August 2010. * Stylo was the first single from the album, released digitally on 26 January 2010. * On Melancholy Hill became the second single from the album which replaced Superfast Jellyfish and was released exclusively on iTunes on June 15th.

Friday, October 25, 2019

McLean vs Arkansas Essay -- Creationism Creation Science

Science is a word that carries with it many meanings - knowledge, truth, a process of examination. But when it comes to setting a clear definition of the term, difficulties arise. Certainly physics is science, and theology isn't. But many disciplines are less intuitively dichotomized, such as the fields of psychology, history, ethics, and many others. Are these sciences? And while it may at first seem like a rather irrelevant issue only for lexicographers and philosophers, in fact the distinction between what is science and what is not is of great importance to society - for in the formation of the public school curriculum, the distinction between science, which must be taught, and religion, which must not be, is essential to keeping education both factual, up-to-date, and constitutional. The 1982 court case McLean vs. Arkansas put in the public spotlight just how important drawing the distinction is. In what has become a landmark case in the creation/evolution legal debate, the Arkansas legislature passed without debate a bill mandating that the state redraw its science education standards so to include in the state's public high school curricula the body of ideas known as "creationism" - the notion that Earth and its inhabitant life forms were formed in the same forms as they are seen today - alongside evolution - the mainstream view of biologists holding that life developed and diversified gradually over millions of successive generations. The concept of creationism has a strong religious history and very deep religious overtones, and the constitutionality of teaching the subject in a public school immediately was questioned. Called to preside over the resulting legal case was U.S. District Judge William Overton. Thu... ...of testability is unclear and the incorporation of unobserved elements is not unique to creationism, so this in and of itself is not a reason to exclude it from a curriculum - and as previously mentioned Darwin considered the two models of creation and evolution on equal scientific grounds in his arguments. Instead, creationism fails on account of the evidence against it. So in the end, while Overton's attempt to determine essential characteristics of science does not stand up to philosophical scrutiny, his decision was correct: creationism is not part of modern science, and does not belong in the modern classroom. Works Cited Gould, Stephen Jay. The Mismeasure of Man. W. W. Norton and Co.: New York, 1996. Kleppner, Daniel and Robert Kolenkow. An Introduction to Mechanics. McGraw-Hill, Inc: Boston, 1973. McLean v. Arkansas, US District Court. 1982.

Thursday, October 24, 2019

Intermountain Healthcare Essay

Continuous improvement in quality and productivity processes is essential for any business that wants to be profitable but more so for Health care organizations due to the constant changing nature of their practice. The philosophy of continuous improvement is captured in the plan-do-check-act (PDCA) cycle proposed by W. Edwards Deming (Fitzsimmons et. Al. , 2013). The three principles that form the foundation for Deming’s teaching are Customer satisfaction, Management by Facts, and Respect for people. Health care delivery must focus on satisfying patients’ needs and this principle must be incorporated into the mind of every employee of a healthcare organization. Scientific thinking (collecting and statistically analyzing data) must also be merged with administrative analysis before decisions are made by the quality improvement teams. For quality improvement to be established in an organization, there must be mutual respect amongst employees where everybody’s ideas on improving processes are solicited. By implementing these principles, the idea of â€Å"higher quality could lead to lower cost,† can be manifested. How well is Intermountain Health Care performing? From the case study, intermountain Health care is performing very well. As of 2001, the intermountain healthcare (IHC) Health plan was the largest in Utah which covered about 460,000 individuals and a market share of 40%. The closest competitor being Blue Cross and Blue Shield, covered 425,000 individuals. IHC started with fifteen hospitals in 1975 and after 27 years grew it to 22 hospitals, 25 health centers and over 70 outpatient’s clinics all across Utah and Southeastern Idaho. IHC is a vertically integrated Health care organization that has won many top awards in the industry. In 2000, 2002, 2003, 2004 and 2005, Intermountain Healthcare was ranked No. 1 (among nearly 600 evaluated) integrated healthcare systems in the U. S. by Modern Healthcare magazine and the Verispan research firm. The rankings measured efficiency, communication cost and quality of care. As of 2013, Intermountain Healthcare is internationally recognized, has a nonprofit system of 22 hospitals, a Medical Group with more than 185 physician clinics, and an affiliated health insurance company, SelectHealth. It currently has 33,000 employees serving patients and plan members in Utah and Southeastern Idaho. Below is a list of other awards that IHC has received as a system: Hospitals & Health Networks recognized Intermountain Healthcare as one of â€Å"Health Care’s Most Wired 2013† in the nation. This was the fourteenth year Intermountain has been listed. Forbes magazine named Intermountain Healthcare to its list of â€Å"21 Most Admired Companies Making IT a Competitive Advantage† in 2013. American College of Medical Quality gave the â€Å"Institutional Quality Leadership Award† to Intermountain Healthcare, the sole recipient of this award in 2013, for Intermountain longstanding commitment to clinical quality programs and innovations in healthcare delivery. The Gallup Organization again presented Intermountain Healthcare with its Great Workplace Award for 2013 Intermountain Healthcare ranked No. 3 overall in the U. S. and No. 1 in the western U. S. on the 2012 list of the nation’s Top 100 Integrated Health Systems compiled by IMS Health and Modern Healthcare magazine. National Research Corporation presented a 2012/2013 Consumer Choice Award to Intermountain Healthcare for its hospitals, clinics, and business units’ having been selected by locally served consumers as having the best quality and image. What is Intermountain’s approach to the management of health care delivery? Intermountain uses Clinical integration as its approach to healthcare delivery. This involves both an organizational restructuring as well as the use of different set of tools (mainly technological tools). With this approach of healthcare delivery, both the administrative and medical staff (physicians, nurses and pharmacist) collaborate to implement the perfect system of gathering, storing, and making accessible medical data on each patient. Analyzing this data gathered enables the medical team to create protocols or use decision support tools that focus on improving medical intervention for each patient as well as removing inefficiencies from their service process. Its core aim was to establish quality and extend full management accountability to IHC’s Clinical Function. IHC health services was divided into four areas: Clinical conditions, clinical support services, service quality and administrative support processes. IHC also uses Deming’s PDCA Cycle and Lean Service to ensure continuous quality improvement. Why does Intermountain do it this way? Intermountain tries to continually improve its Quality improvement process by adopting the PDCA cycle. They plan by selecting â€Å"clinical problems† for Hospital based procedures. These processes are documented and data collected. By the top managers brainstorming, they are able to reach the root causes of the problems. The â€Å"Do† in the PDCA cycle is used to implement solutions or processes to solve the Clinical problems on a Trail basis. (The implementation process is monitored and documented). The Check in the PDCA cycle is used to review and evaluate the outcomes of implementing the solution. The Act in the PDCA cycle helps the company to reflect and act on the learning experience. The changes in the processes that were successful are standardized and communicated to the employees. IHC also uses a Biannual advanced Training program in Health care Delivery Improvement (ATP) to come out with best practice protocols. Here, they use the lean dimension ‘empowering those who do the work in continuous improvement’ or ‘human development’ which is a very important part of the lean process. Since the ideas are generated by the employees themselves, there is a lot of motivation to implement it. Why don’t all heath care delivery organizations do this? The implementation of information technology systems like Health evaluation through Logical processing system (HELP) and Electronic medical (EMR) are very expensive. The cost of training the staff and maintenance of these systems can be very expensive. Some health care delivery organizations also see the clinical integration system as a loss of traditional physician autonomy, prestige, power and income. Some health care organizations also enjoy having inefficiencies in their systems so that they can exploit unsuspecting patients. We go to the hospital now and are requested to do all kinds of unnecessary lab tests, just to increase our medical bills. Conclusion Intermountain has adopted the strategy of improving continuously by adopting the PDCA cycle and it seems to be working for them since they are the largest Healthcare providers in Utah and Southeastern Idaho. Its clinical integration approach to delivering care has resulted in the company winning numerous awards. The incorporation of information technology plays a crucial role in the quality improvement of their services. The incorporation of Deming’s idea that â€Å"Higher quality could lead to lower cost,† has given the IHC Health plan a competitive edge over other insurers in Utah. References Fitzsimmons, J. A. , Fitzsimmons, M. J. , & Bordoloi, S. K. (2014). Service Management Operations, Strategy, Information Technology. New York, NY: McGraw-Hill/Irwin. http://en. wikipedia. org/wiki/Intermountain_Healthcare http://intermountainhealthcare. org/about/overview/awards/Pages/home. aspx http://www. beckershospitalreview. com/strategic-planning/back-to-basics-understanding-the-5-performance-dimensions-of-lean-in-healthcare. html Bohmer, R. M. J. , Edmondson, A. C. , & Feldman, L. R. (2013). Intermountain Health Care. Boston, MA: Harvard Business School Publication Roger, R. (2008). Commentary: Intermountain Healthcare. High Performing Healthcare Systems: Delivering Quality by Design. 179-184. Retrieved from http://www. longwoods. com/content/20147

Wednesday, October 23, 2019

Black House Chapter Twenty

20 AROUND THE TIME Mouse and Beezer first fail to see the little road and the NO TRESPASSING sign beside it, Jack Sawyer answers the annoying signal of his cell phone, hoping that his caller will turn out to be Henry Leyden with information about the voice on the 911 tape. Although an identification would be wonderful, he does not expect Henry to I.D. the voice; the Fisherman?CBurnside is Potsie's age, and Jack does not suppose the old villain has much of a social life, here or in the Territories. What Henry can do, however, is to apply his finely tuned ears to the nuances of Burnside's voice and describe what he hears in it. If we did not know that Jack's faith in his friend's capacity to hear distinctions and patterns inaudible to other people was justified, that faith would seem as irrational as the belief in magic: Jack trusts that a refreshed, invigorated Henry Leyden will pick up at least one or two crucial details of history or character that will narrow the search. Anything that Henry picks up will interest Jack. If someone else is calling him, he intends to get rid of whoever it is, fast. The voice that answers his greeting revises his plans. Fred Marshall wants to talk to him, and Fred is so wound up and incoherent that Jack must ask him to slow down and start over. â€Å"Judy's flipping out again,† Fred says. â€Å"Just . . . babbling and raving, and getting crazy like before, trying to rip through the walls oh God, they put her in restraints and she hates that, she wants to help Ty, it's all because of that tape. Christ, it's getting to be too much to handle, Jack, Mr. Sawyer, I mean it, and I know I'm running off at the mouth, but I'm really worried.† â€Å"Don't tell me someone sent her the 911 tape,† Jack says. â€Å"No, not . . . what 911 tape? I'm talking about the one that was delivered to the hospital today. Addressed to Judy. Can you believe they let her listen to that thing? I want to strangle Dr. Spiegleman and that nurse, Jane Bond. What's the matter with these people? The tape comes in, they say, oh goody, here's a nice tape for you to listen to, Mrs. Marshall, hold on, I'll be right back with a cassette player. On a mental ward? They don't even bother to listen to it first? Look, whatever you're doing, I'd be eternally grateful if you'd let me pick you up, so I could drive you over there. You could talk to her. You're the only person who can calm her down.† â€Å"You don't have to pick me up, because I'm already on the way. What was on the tape?† â€Å"I don't get it.† Fred Marshall has become considerably more lucid. â€Å"Why are you going there without me?† After a second of thought, Jack tells him an outright lie. â€Å"I thought you would probably be there already. It's a pity you weren't.† â€Å"I would have had the sense to screen that tape before letting her hear it. Do you know what was on that thing?† â€Å"The Fisherman,† Jack says. â€Å"How did you know?† â€Å"He's a great communicator,† Jack says. â€Å"How bad was it?† â€Å"You tell me, and then we'll both know. I'm piecing it together from what I gathered from Judy and what Dr. Spiegleman told me later.† Fred Marshall's voice begins to waver. â€Å"The Fisherman was taunting her. Can you believe that? He said, Your little boy is very lonely. Then he said something like, He's been begging and begging to call home and say hello to his mommy. Except Judy says he had a weird foreign accent, or a speech impediment, or something, so he wasn't easy to understand right away. Then he says, Say hello to your mommy, Tyler, and Tyler . . .† Fred's voice breaks, and Jack can hear him stifling his agony before he begins again. â€Å"Tyler, ah, Tyler was apparently too distressed to do much but scream for help.† A long, uncertain inhalation comes over the phone. â€Å"And he cried, Jack, he cried.† Unable to contain his feelings any longer, Fred weeps openly, unguardedly. His breath rattles in his throat; Jack listens to all the wet, undignified, helpless noises people make when grief and sorrow cancel every other feeling, and his heart moves for Fred Marshall. The sobbing relents. â€Å"Sorry. Sometimes I think they'll have to put me in restraints.† â€Å"Was that the end of the tape?† â€Å"He got on again.† Fred breathes noisily for a moment, clearing his head. â€Å"Boasting about what he was going to do. Dere vill be morrr mur-derts, and morrr afder dat, Choo-dee, we are all goink zu haff sotch fun Spiegleman quoted this junk to me! The children of French Landing will be harvested like wheat. Havv-uz-ted like wheed. Who talks like that? What kind of person is this?† â€Å"I wish I knew,† Jack says. â€Å"Maybe he was putting on an accent to sound even scarier. Or to disguise his voice.† He'd never disguise his voice, Jack thinks, he's too delighted with himself to hide behind an accent. â€Å"I'll have to get the tape from the hospital and listen to it myself. And I'll call you as soon as I have some information.† â€Å"There's one more thing,† Marshall says. â€Å"I probably made a mistake. Wendell Green came over about an hour ago.† â€Å"Anything involving Wendell Green is automatically a mistake. So what happened?† â€Å"It was like he knew all about Tyler and just needed me to confirm it. I thought he must have heard from Dale, or the state troopers. But Dale hasn't made us public yet, has he?† â€Å"Wendell has a network of little weasels that feed him information. If he knows anything, that's how he heard about it. What did you tell him?† â€Å"More or less everything,† Marshall says. â€Å"Including the tape. Oh, God, I'm such a dope. But I thought it'd be all right I thought it would all get out anyhow.† â€Å"Fred, did you tell him anything about me?† â€Å"Only that Judy trusts you and that we're both grateful for your help. And I think I said that you would probably be going in to see her this afternoon.† â€Å"Did you mention Ty's baseball cap?† â€Å"Do you think I'm nuts? As far as I'm concerned, that stuff is between you and Judy. If I don't get it, I'm not going to talk about it to Wendell Green. At least I got him to promise to stay away from Judy. He has a great reputation, but I got the feeling he isn't everything he's cracked up to be.† â€Å"You said a mouthful,† Jack says. â€Å"I'll be in touch.† When Fred Marshall hangs up, Jack punches in Henry's number. â€Å"I may be a little late, Henry. I'm on my way to French County Lutheran. Judy Marshall got a tape from the Fisherman, and if they'll let me have it, I'll bring it over. There's something strange going on here on Judy's tape, I guess he has some kind of foreign accent.† Henry tells Jack there is no rush. He has not listened to the first tape yet, and now will wait until Jack comes over with the second one. He might hear something useful if he plays them in sequence. At least, he could tell Jack if they were made by the same man. â€Å"And don't worry about me, Jack. In a little while, Mrs. Morton is coming by to take me over to KDCU. George Rathbun butters my bread today, baby six or seven radio ads. ‘Even a blind man knows you want to treat your honey, your sweetheart, your lovey-dovey, your wife, your best friend through thick and thin, to a mm-mmm fine dinner tonight, and there's no better place to show your appreciation to the old ball and chain than to take her to Cousin Buddy's Rib Crib on South Wabash Street in beautiful downtown La Riviere!' â€Å" † ‘The old ball and chain'?† â€Å"You pay for George Rathbun, you get George Rathbun, warts and all.† Laughing, Jack tells Henry he will see him later that day, and pushes the Ram up to seventy. What is Dale going to do, give him a speeding ticket? He parks in front of the hospital instead of driving around to the parking lot, and trots across the concrete with his mind filled with the Territories and Judy Marshall. Things are hurtling forward, picking up pace, and Jack has the sense that everything converges on Judy no, on Judy and him. The Fisherman has chosen them more purposefully than he did his first three victims: Amy St. Pierre, Johnny Irkenham, and Irma Freneau were simply the right age any three children would have done but Tyler was Judy Marshall's son, and that set him apart. Judy has glimpsed the Territories, Jack has traveled through them, and the Fisherman lives there the way a cancer cell lives in a healthy organism. The Fisherman sent Judy a tape, Jack a grisly present. At Tansy Freneau's, he had seen Judy as his key and the door it opened, and where did that door lead but into Judy's Faraway? Faraway. God, that's pretty. Beautiful, in fact. Aaah . . . the word evokes Judy Marshall's face, and when he sees that face, a door in his mind, a door that is his and his alone, flies open, and for a moment Jack Sawyer stops moving altogether, and in shock, dread, and joyous expectation, freezes on the concrete six feet from the hospital's entrance. Through the door in his mind pours a stream of disconnected images: a stalled Ferris wheel, Santa Monica cops milling behind a strip of yellow crime-scene tape, light reflected off a black man's bald head. Yes, a bald man's black head, that which he really and truly, in fact most desperately, had not wished to see, so take a good look, kiddo, here it is again. There had been a guitar, but the guitar was elsewhere; the guitar belonged to the magnificent demanding comforting comfortless Speedy Parker, God bless him God damn his eyes God love him Speedy, who touched its strings and sang Travelin' Jack, ole Travelin' Jack, Got a far long way to go, Longer way to come back. Worlds spin around him, worlds within worlds and other worlds alongside them, separated by a thin membrane composed of a thousand thousand doors, if only you know how to find them. A thousand thousand red feathers, tiny ones, feathers from a robin redbreast, hundreds of robin redbreasts, flew through one of those doors, Speedy's. Robin, as in robin's-egg blue, thank you, Speedy, and a song that said Wake up, wake up, you sleepyhead. Or: Wake up, wake up, you DUNDERHEAD! Crazily, Jack hears George Rathbun's now-not-so genial roar: Eeeven a BLIIIND MAAAN coulda seen THIS one coming, you KNOTHEAD! â€Å"Oh, yeah?† Jack says out loud. It is a good thing Head Nurse Jane Bond, Warden Bond, Agent OO Zero, cannot hear him. She's tough, but on the other hand, she's unfair, and if she were to appear beside him now, she would probably clap him in irons, sedate him, and drag him back to her domain. â€Å"Well, I know something you don't know, old buddy: Judy Marshall has a Twinner, and the Twinner has been whispering through the wall for a considerable old time now. It's no surprise she finally started to shout.† A red-haired teenager in an ARDEN H.S. BASEBALL T-shirt shoves open the literal door six feet from Jack and gives him a wary, disconcerted look. Man, grown-ups are weird, the look says; aren't I glad I'm a kid? Since he is a high school student and not a mental-health professional, he does not clap our hero in irons and drag him sedated away to the padded room. He simply takes care to steer a wide course around the madman and keeps walking, albeit with a touch of self-conscious stiffness in his gait. It is all about Twinners, of course. Rebuking his stupidity, Jack raps his knuckles against the side of his head. He should have seen it before; he should have understood immediately. If he has any excuse, it is that at first he refused to think about the case despite Speedy's efforts to wake him up, then became so caught up in concentrating on the Fisherman that until this morning, while watching his mother on the Sand Bar's big TV, he had neglected to consider the monster's Twinner. In Judy Marshall's childhood, her Twinner had spoken to her through that membrane between the two worlds; growing more and more alarmed over the past month, the Twinner had all but thrust her arms through the membrane and shaken Judy senseless. Because Jack is single-natured and has no Twinner, the corresponding task fell to Speedy. Now that everything seems to make sense, Jack cannot believe it has taken him so long to see the pattern. And this is why he has resented everything that kept him from standing before Judy Marshall: Judy is the doorway to her Twinner, to Tyler, and to the destruction of both the Fisherman and his opposite number in the Territories, the builder of the satanic, fiery structure a crow named Gorg showed Tansy Freneau. Whatever happens on Ward D today, it is going to be world-altering. Heart thrumming in anticipation, Jack passes from intense sunlight into the vast ocher space of the lobby. The same bathrobed patients seem to occupy the many chairs; in a distant corner, the same doctors discuss a troublesome case or, who knows, that tricky tenth hole at Arden Country Club; the same golden lilies raise their luxuriant, attentive heads outside the gift shop. This repetition reassures Jack, it hastens his step, for it surrounds and cushions the unforeseeable events awaiting him on the fifth floor. The same bored clerk responds to the proffer of the same password with an identical, if not the same, green card stamped VISITOR. The elevator surprisingly similar to one in the Ritz H?tel on the Place Vend?me obediently trembles upward past floors two, three, and four, in its dowager-like progress pausing to admit a gaunt young doctor who summons the memory of Roderick Usher, then releases Jack on five, where the beautiful ocher light seems a shade or two darker than down there in the huge lobby. From the elevator Jack retraces the steps he took with his guide Fred Marshall down the corridor, through the two sets of double doors and past the way stations of Gerontology and Ambulatory Ophthalmology and Records Annex, getting closer and closer to the unforeseen unforeseeable as the corridors grow narrower and darker, and emerges as before into the century-old room with high, skinny windows and a lot of walnut-colored wood. And there the spell breaks, for the attendant seated behind the polished counter, the person currently the guardian of this realm, is taller, younger, and considerably more sullen than his counterpart of the day before. When Jack asks to see Mrs. Marshall, the young person glances in disdain at his VISITOR card and inquires if he should happen to be a relative or another glance at the card a medical professional. Neither, Jack admits, but if the young person could trouble himself to inform Nurse Bond that Mr. Sawyer wishes to speak to Mrs. Marshall, Nurse Bond is practically guaranteed to swing open the forbidding metal doors and wave him inward, since that is more or less what she did yesterday. That is all well and good, if it happens to be true, the young person allows, but Nurse Bond is not going to be doing any door opening and waving in today, for today Nurse Bond is off duty. Could it be that when Mr. Sawyer showed up to see Mrs. Marshall yesterday he was accompanied by a family member, say Mr. Marshall? Yes. And if Mr. Marshall were to be consulted, say via the telephone, he would urge the young fellow presently discussing the matter in a commendably responsible fashion with Mr. Sawyer to admit the gentleman promptly. That may be the case, the young person grants, but hospital regulations require that nonmedical personnel in positions such as the young person's obtain authorization for any outside telephone calls. And from whom, Jack wishes to know, would this authorization be obtained? From the acting head nurse, Nurse Rack. Jack, who is growing a little hot, as they say, under the collar, suggests in that case that the young person seek out the excellent Nurse Rack and obtain the required authorization, so that things might progress in the manner Mr. Marshall, the patient's husband, would wish. No, the young person sees no reason to pursue such a course, the reason being that doing so would represent a pitiful waste of time and effort. Mr. Sawyer is not a member of Mrs. Marshall's family; therefore the excellent Nurse Rack would under no circumstances grant the authorization. â€Å"Okay,† Jack says, wishing he could strangle this irritating pip-squeak, â€Å"let's move a step up the administrative ladder, shall we? Is Dr. Spiegleman somewhere on the premises?† â€Å"Could be,† the young person says. â€Å"How'm I supposed to know? Dr. Spiegleman doesn't tell me everything he does.† Jack points to the telephone at the end of the counter. â€Å"I don't expect you to know, I expect you to find out. Get on that phone now.† The young man slouches down the counter to the telephone, rolls his eyes, punches two numbered keys, and leans against the counter with his back to the room. Jack hears him muttering about Spiegleman, sigh, then say, â€Å"All right, transfer me, whatever.† Transferred, he mutters something that includes Jack's name. Whatever he hears in response causes him to jerk himself upright and sneak a wide-eyed look over his shoulder at Jack. â€Å"Yes, sir. He's here now, yes. I'll tell him.† He replaces the receiver. â€Å"Dr. Spiegleman'll be here right away.† The boy he is no more than twenty steps back and shoves his hands in his pockets. â€Å"You're that cop, huh?† â€Å"What cop?† Jack says, still irritated. â€Å"The one from California that came here and arrested Mr. Kinderling.† â€Å"Yes, that's me.† â€Å"I'm from French Landing, and boy, that was some shock. To the whole town. Nobody would have guessed. Mr. Kinderling? Are you kidding? You'd never believe that someone like that would . . . you know, kill people.† â€Å"Did you know him?† â€Å"Well, in a town like French Landing, everybody sort of knows everybody, but I didn't really know Mr. Kinderling, except to say hi. The one I knew was his wife. She used to be my Sunday school teacher at Mount Hebron Lutheran.† Jack cannot help it; he laughs at the incongruity of the murderer's wife teaching Sunday school classes. The memory of Wanda Kinderling radiating hatred at him during her husband's sentencing stops his laughter, but it is too late. He sees that he has offended the young man. â€Å"What was she like?† he asks. â€Å"As a teacher.† â€Å"Just a teacher,† the boy says. His voice is uninflected, resentful. â€Å"She made us memorize all the books of the Bible.† He turns away and mutters, â€Å"Some people think he didn't do it.† â€Å"What did you say?† The boy half-turns toward Jack but looks at the brown wall in front of him. â€Å"I said, Some people think he didn't do it. Mr. Kinderling. They think he got put in jail because he was a small-town guy who didn't know anybody out there.† â€Å"That's too bad,† Jack says. â€Å"Do you want to know the real reason Mr. Kinderling went to prison?† The boy turns the rest of the way and looks at Jack. â€Å"Because he was guilty of murder, and he confessed. That's it, that's all. Two witnesses put him at the scene, and two other people saw him on a plane to L.A. when he told everyone he was flying to Denver. After that, he said, Okay, I did it. I always wanted to know what it was like to kill a girl, and one day I couldn't stand it anymore, so I went out and killed two whores. His lawyer tried to get him off on an insanity plea, but the jury at his hearing found him sane, and he went to prison.† The boy lowers his head and mumbles something. â€Å"I couldn't hear that,† Jack says. â€Å"Lots of ways to make a guy confess.† The boy repeats the sentence just loud enough to be heard. Then footsteps ring in the hallway, and a plump, white-coated man with steel-rimmed glasses and a goatee comes striding toward Jack with his hand out. The boy has turned away. The opportunity to convince the attendant that he did not beat a confession out of Thornberg Kinderling has slipped away. The smiling man with the white jacket and the goatee seizes Jack's hand, introduces himself as Dr. Spiegleman, and declares it a pleasure to meet such a famous personage. (Personage, persiflage, Jack thinks.) From one step behind the doctor, a man unnoticed until this moment steps fully into view and says, â€Å"Hey, Doctor, do you know what would be perfect? If Mr. Famous and I interview the lady together. Twice the information in half the time perfect.† Jack's stomach turns sour. Wendell Green has joined the party. After greeting the doctor, Jack turns to the other man. â€Å"What are you doing here, Wendell? You promised Fred Marshall you'd stay away from his wife.† Wendell Green holds up his hands and dances back on the balls of his feet. â€Å"Are we calmer today, Lieutenant Sawyer? Not inclined to use a sucker punch on the hardworking press, are we? I have to say, I'm getting a little tired of being assaulted by the police.† Dr. Spiegleman frowns at him. â€Å"What are you saying, Mr. Green?† â€Å"Yesterday, before that cop knocked me out with his flashlight, Lieutenant Sawyer here punched me in the stomach for no real reason at all. It's a good thing I'm a reasonable man, or I'd have filed lawsuits already. But, Doctor, you know what? I don't do things that way. I believe everything works out better if we cooperate with each other.† Halfway through this self-serving speech, Jack thinks, Oh hell, and glances at the young attendant. The boy's eyes burn with loathing. A lost cause: now Jack will never persuade the boy that he did not mistreat Kinderling. By the time Wendell Green finishes congratulating himself, Jack has had a bellyful of his specious, smarmy affability. â€Å"Mr. Green offered to give me a percentage of his take, if I let him sell photographs of Irma Freneau's corpse,† he tells the doctor. â€Å"What he is asking now is equally unthinkable. Mr. Marshall urged me to come here and see his wife, and he made Mr. Green promise not to come.† â€Å"Technically, that may be true,† Green says. â€Å"As an experienced journalist, I know that people often say things they don't mean and will eventually regret. Fred Marshall understands that his wife's story is going to come out sooner or later.† â€Å"Does he?† â€Å"Especially in the light of the Fisherman's latest communication,† Green says. â€Å"This tape proves that Tyler Marshall is his fourth victim, and that, miraculously, he is still alive. How long do you think that can be kept from the public? And wouldn't you agree that the boy's mother should be able to explain the situation in her own words?† â€Å"I refuse to be badgered like this.† The doctor scowls at Green and gives Jack a look of warning. â€Å"Mr. Green, I am very close to ordering you out of this hospital. I wish to discuss several matters with Lieutenant Sawyer, in private. If you and the lieutenant can work out some agreement between the two of you, that is your affair. I am certainly not going to permit a joint interview with my patient. I am in no way certain that she should talk to Lieutenant Sawyer, either. She is calmer than she was this morning, but she is still fragile.† â€Å"The best way to deal with her problem is to let her express herself,† Green says. â€Å"You will be quiet now, Mr. Green,† Dr. Spiegleman says. The double chins that fold under his goatee turn a warm pink. He glares at Jack. â€Å"What specifically is it that you request, Lieutenant?† â€Å"Do you have an office in this hospital, Doctor?† â€Å"I do.† â€Å"Ideally, I'd like to spend about half an hour, maybe less, talking to Mrs. Marshall in a safe, quiet environment where our conversation would be completely confidential. Your office would probably be perfect. There are too many people on the ward, and you can't talk without being interrupted or having other patients listen in.† â€Å"My office,† Spiegleman says. â€Å"If you're willing.† â€Å"Come with me,† the doctor says. â€Å"Mr. Green, you will please stand back next to the counter while Lieutenant Sawyer and I step into the hallway.† â€Å"Anything you say.† Green executes a mocking bow and moves lightly, with a suggestion of dance steps, to the counter. â€Å"In your absence, I'm sure this handsome young man and I will find something to talk about.† Smiling, Wendell Green props his elbows on the counter and watches Jack and Dr. Spiegleman leave the room. Their footsteps click against the floor tiles until it sounds as though they have gone more than halfway down the corridor. Then there is silence. Still smiling, Wendell about-faces and finds the attendant openly staring at him. â€Å"I read you all the time,† the boy says. â€Å"You write real good.† Wendell's smile becomes beatific. â€Å"Handsome and intelligent. What a stunning combination. Tell me your name.† â€Å"Ethan Evans.† â€Å"Ethan, we do not have much time here, so let's make this snappy. Do you think responsible members of the press should have access to information the public needs?† â€Å"You bet.† â€Å"And wouldn't you agree that an informed press is one of our best weapons against monsters like the Fisherman?† A single, vertical wrinkle appears between Ethan Evans's eyebrows. â€Å"Weapons?† â€Å"Let me put it this way. Isn't it true that the more we know about the Fisherman, the better chance we have of stopping him?† The boy nods, and the wrinkle disappears. â€Å"Tell me, do you think the doctor is going to let Sawyer use his office?† â€Å"Prob'ly, yeah,† Evans says. â€Å"But I don't like the way that Sawyer guy works. He's a police brutality. Like when they hit people to make them confess. That's brutality.† â€Å"I have another question for you. Two questions, really. Is there a closet in Dr. Spiegleman's office? And is there some way you could take me there without going through that corridor?† â€Å"Oh.† Evans's dim eyes momentarily shine with understanding. â€Å"You want to listen.† â€Å"Listen and record.† Wendell Green taps the pocket that contains his cassette recorder. â€Å"For the good of the public at large, God bless 'em one and all.† â€Å"Well, maybe, yeah,† the boy says. â€Å"But Dr. Spiegleman, he . . .† A twenty-dollar bill has magically appeared folded around the second finger of Wendell Green's right hand. â€Å"Act fast, and Dr. Spiegleman will never know a thing. Right, Ethan?† Ethan Evans snatches the bill from Wendell's hand and motions him back behind the counter, where he opens a door and says, â€Å"Come on, hurry.† Low lights burn at both ends of the dark corridor. Dr. Spiegleman says, â€Å"I gather that my patient's husband told you about the tape she received this morning.† â€Å"He did. How did it get here, do you know?† â€Å"Believe me, Lieutenant, after I saw the effect that tape had on Mrs. Marshall and listened to it myself, I tried to learn how it reached my patient. All of our mail goes through the hospital's mailroom before being delivered, all of it, whether to patients, medical staff, or administrative offices. From there, a couple of volunteers deliver it to the addressees. I gather that the package containing the tape was in the hospital mailroom when a volunteer looked in there this morning. Because the package was addressed only with my patient's name, the volunteer went to our general information office. One of the girls brought it up.† â€Å"Shouldn't someone have consulted you before giving the tape and a cassette player to Judy?† â€Å"Of course. Nurse Bond would have done so immediately, but she is not on duty today. Nurse Rack, who is on duty, assumed that the address referred to a childhood nickname and thought that one of Mrs. Marshall's old friends had sent her some music to cheer her up. And there is a cassette player in the nurses' station, so she put the tape in the player and gave it to Mrs. Marshall.† In the gloom of the corridor, the doctor's eyes take on a sardonic glint. â€Å"Then, as you might imagine, all hell broke loose. Mrs. Marshall reverted to the condition in which she was first hospitalized, which takes in a range of alarming behaviors. Fortunately, I happened to be in the hospital, and when I heard what had happened, I ordered her sedated and placed in a secure room. A secure room, Lieutenant, has padded walls Mrs. Marshall had reopened the wounds to her fingers, and I did not want her to do any more damage to herself. Once the sedative had taken effect, I went in and talked to her. I listened to the tape. Perhaps I should have called the police immediately, but my first responsibility is to my patient, and I called Mr. Marshall instead.† â€Å"From where?† â€Å"From the secure room, with my cell phone. Mr. Marshall of course insisted on speaking to his wife, and she wanted to speak to him. She became very distraught during their conversation, and I had to give her another mild sedative. When she calmed down, I went out of the room and called Mr. Marshall again, to tell him more specifically about the contents of the tape. Do you want to hear it?† â€Å"Not now, Doctor, thanks. But I do want to ask you about one aspect of it.† â€Å"Then ask.† â€Å"Fred Marshall tried to imitate the way you had reproduced the accent of the man who made the tape. Did it sound like any recognizable accent to you? German, maybe?† â€Å"I've been thinking about that. It was sort of like a Germanic pronunciation of English, but not really. If it sounded like anything recognizable, it was English spoken by a Frenchman trying to put on a German accent, if that makes sense to you. But really, I've never heard anything like it.† From the start of this conversation, Dr. Spiegleman has been measuring Jack, assessing him according to standards Jack cannot even begin to guess. His expression remains as neutral and impersonal as that of a traffic cop. â€Å"Mr. Marshall informed me that he intended to call you. It seems that you and Mrs. Marshall have formed a rather extraordinary bond. She respects your skill at what you do, which is to be expected, but she also seems to trust you. Mr. Marshall asks that you be allowed to interview his wife, and his wife tells me that she must talk to you.† â€Å"Then you should have no problems with letting me see her in private for half an hour.† Dr. Spiegleman's smile is gone as soon as it appears. â€Å"My patient and her husband have demonstrated their trust in you, Lieutenant Sawyer, but that is not the issue. The issue is whether or not I can trust you.† â€Å"Trust me to do what?† â€Å"A number of things. Primarily, to act in the best interest of my patient. To refrain from unduly distressing her, also from giving her false hopes. My patient has developed a number of delusions centered on the existence of another world somehow contiguous to ours. She thinks her son is being held captive in this other world. I must tell you, Lieutenant, that both my patient and her husband believe you are familiar with this fantasy-world that is, my patient accepts this belief wholly, and her husband accepts it only provisionally, on the grounds that it comforts his wife.† â€Å"I understand that.† There is only one thing Jack can tell the doctor now, and he says it. â€Å"And what you should understand is that in all of my conversations with the Marshalls, I have been acting in my unofficial capacity as a consultant to the French Landing Police Department and its chief, Dale Gilbertson.† â€Å"Your unofficial capacity.† â€Å"Chief Gilbertson has been asking me to advise him on his conduct of the Fisherman investigation, and two days ago, after the disappearance of Tyler Marshall, I finally agreed to do what I could. I have no official status whatsoever. I'm just giving the chief and his officers the benefit of my experience.† â€Å"Let me get this straight, Lieutenant. You have been misleading the Marshalls as to your familiarity with Mrs. Marshall's delusional fantasy-world?† â€Å"I'll answer you this way, Doctor. We know from the tape that the Fisherman really is holding Tyler Marshall captive. We could say that he is no longer in this world, but in the Fisherman's.† Dr. Spiegleman raises his eyebrows. â€Å"Do you think this monster inhabits the same universe that we do?† asks Jack. â€Å"I don't, and neither do you. The Fisherman lives in a world all his own, one that operates according to fantastically detailed rules he has made up or invented over the years. With all due respect, my experience has made me far more familiar with structures like this than the Marshalls, the police, and, unless you have done a great deal of work with psychopathic criminals, even you. I'm sorry if that sounds arrogant, because I don't mean it that way.† â€Å"You're talking about profiling? Something like that?† â€Å"Years ago, I was invited into a special VICAP profiling unit run by the FBI, and I learned a lot there, but what I'm talking about now goes beyond profiling.† And that's the understatement of the year, Jack says to himself. Now it's in your court, Doctor. Spiegleman nods, slowly. The distant glow flashes in the lenses of his glasses. â€Å"I think I see, yes.† He ponders. He sighs, crosses his arms over his chest, and ponders some more. Then he raises his eyes to Jack's. â€Å"All right. I'll let you see her. Alone. In my office. For thirty minutes. I wouldn't want to stand in the way of advanced investigative procedure.† â€Å"Thank you,† Jack says. â€Å"This will be extremely helpful, I promise you.† â€Å"I have been a psychiatrist too long to believe in promises like that, Lieutenant Sawyer, but I hope you succeed in rescuing Tyler Marshall. Let me take you to my office. You can wait there while I get my patient and bring her there by another hallway. It's a little quicker.† Dr. Spiegleman marches to the end of the dark corridor and turns left, then left again, pulls a fat ball of keys from his pocket, and opens an unmarked door. Jack follows him into a room that looks as though it had been created by combining two small offices into one. Half of the room is taken up by a long wooden desk, a chair, a glass-topped coffee table stacked with journals, and filing cabinets; the other half is dominated by a couch and the leather recliner placed at its head. Georgia O'Keeffe posters decorate the walls. Behind the desk stands a door Jack assumes opens into a small closet; the door directly opposite, behind the recliner and at the midpoint between the two halves of the office, looks as though it leads into an adjoining room. â€Å"As you see,† Dr. Spiegleman says, â€Å"I use this space as both an office and a supplementary consulting room. Most of my patients come in through the waiting room, and I'll bring Mrs. Marshall in that way. Give me two or three minutes.† Jack thanks him, and the doctor hurries out through the door to the waiting room. In the little closet, Wendell Green slides his cassette recorder from the pocket of his jacket and presses both it and his ear to the door. His thumb rests on the RECORD button, and his heart is racing. Once again, western Wisconsin's most distinguished journalist is doing his duty for the man in the street. Too bad it's so blasted dark in that closet, but being stuffed into a black hole is not the first sacrifice Wendell has made for his sacred calling; besides, all he really needs to see is the little red light on his tape recorder. Then, a surprise: although Doctor Spiegleman has left the room, here is his voice, asking for Lieutenant Sawyer. How did that Freudian quack get back in without opening or closing a door, and what happened to Judy Marshall? Lieutenant Sawyer, I must speak to you. Pick up the receiver. You have a call, and it sounds urgent. Of course he is on the intercom. Who can be calling Jack Sawyer, and why the urgency? Wendell hopes that Golden Boy will push the telephone's SPEAKER button, but alas Golden Boy does not, and Wendell must be content with hearing only one side of the conversation. â€Å"A call?† Jack says. â€Å"Who's it from?† â€Å"He refused to identify himself,† the doctor says. â€Å"Someone you told you'd be visiting Ward D.† Beezer, with news of Black House. â€Å"How do I take the call?† â€Å"Just punch the flashing button,† the doctor says. â€Å"Line one. I'll bring in Mrs. Marshall when I see you're off the line.† Jack hits the button and says, â€Å"Jack Sawyer.† â€Å"Thank God,† says Beezer St. Pierre's honey-and-tobacco voice. â€Å"Hey man, you gotta get over to my place, the sooner the better. Everything got messed up.† â€Å"Did you find it?† â€Å"Oh yeah, we found Black House, all right. It didn't exactly welcome us. That place wants to stay hidden, and it lets you know. Some of the guys are hurting. Most of us will be okay, but Mouse, I don't know. He got something terrible from a dog bite, if it was a dog, which I doubt. Doc did what he could, but Hell, the guy is out of his mind, and he won't let us take him to the hospital.† â€Å"Beezer, why don't you take him anyway, if that's what he needs?† â€Å"We don't do things that way. Mouse hasn't stepped inside a hospital since his old man croaked in one. He's twice as scared of hospitals as of what's happening to his leg. If we took him to La Riviere General, he'd probably drop dead in the E.R.† â€Å"And if he didn't, he'd never forgive you.† â€Å"You got it. How soon can you be here?† â€Å"I still have to see the woman I told you about. Maybe an hour not much longer than that, anyhow.† â€Å"Didn't you hear me? Mouse is dying on us. We got a whole lot of things to say to each other.† â€Å"I agree,† Jack says. â€Å"Work with me on this, Beez.† He hangs up, turns to the door near the consulting-room chair, and waits for his world to change. What the hell was that all about? Wendell wonders. He has squandered two minutes' worth of tape on a conversation between Jack Sawyer and the dumb SOB who spoiled the film that should have paid for a nice car and a fancy house on a bluff above the river, and all he got was worthless crap. Wendell deserves the nice car and the fancy house, has earned them thrice over, and his sense of deprivation makes him seethe with resentment. Golden Boys get everything handed to them on diamond-studded salvers, people fall all over themselves to give them stuff they don't even need, but a legendary, selfless working stiff and gentleman of the press like Wendell Green? It costs Wendell Green twenty bucks to hide in a dark, crowded little closet just to do his job! His ears tingle when he hears the door open. The red light burns, the faithful recorder passes the ready tape from spool to spool, and whatever happens now is going to change everything: Wendell's gut, that infallible organ, his best friend, warms with the assurance that justice will soon be his. Dr. Spiegleman's voice filters through the closet door and registers on the spooling tape: â€Å"I'll leave you two alone now.† Golden Boy: â€Å"Thank you, Doctor. I'm very grateful.† Dr. Spiegleman: â€Å"Thirty minutes, right? That means I'll be back at, umm, ten past two.† Golden Boy: â€Å"Fine.† The soft closing of the door, the click of the latch. Then long seconds of silence. Why aren't they talking to each other? But of course . . . the question answers itself. They're waiting for fat-ass Spiegleman to move out of hearing range. Oh, this is just delicious, that's what this is! The whisper of Golden Boy's footsteps moving toward that door all but confirms the sterling reporter's intuition. O gut of Wendell Green, O Instrument Marvelous and Trustworthy, once more you come through with the journalistic goods! Wendell hears, the machine records, the inevitable next sound: the click of the lock. Judy Marshall: â€Å"Don't forget the door behind you.† Golden Boy: â€Å"How are you?† Judy Marshall: â€Å"Much, much better, now that you're here. The door, Jack.† Another set of footsteps, another unmistakable sliding into place of a metal bolt. Soon-To-Be-Ruined Boy: â€Å"I've been thinking about you all day. I've been thinking about this.† The Harlot, the Whore, the Slut: â€Å"Is half an hour long enough?† Him With Foot In Bear Trap: â€Å"If it isn't, he'll just have to bang on the doors.† Wendell barely restrains himself from crowing with delight. These two people are actually going to have sex together, they are going to rip off their clothes and have at it like animals. Man, talk about your pay-backs! When Wendell Green is done with him, Jack Sawyer's reputation will be lower than the Fisherman's. Judy's eyes look tired, her hair is limp, and her fingertips wear the startling white of fresh gauze, but besides registering the depth of her feeling, her face glows with the clear, hard-won beauty of the imaginative strength she called upon to earn what she has seen. To Jack, Judy Marshall looks like a queen falsely imprisoned. Instead of disguising her innate nobility of spirit, the hospital gown and the faded nightdress make it all the more apparent. Jack takes his eyes from her long enough to lock the second door, then takes a step toward her. He sees that he cannot tell her anything she does not already know. Judy completes the movement he has begun; she moves before him and holds out her hands to be grasped. â€Å"I've been thinking about you all day,† he says, taking her hands. â€Å"I've been thinking about this.† Her response takes in everything she has come to see, everything they must do. â€Å"Is half an hour long enough?† â€Å"If it isn't, he'll just have to bang on the doors.† They smile; she increases the pressure on his hands. â€Å"Then let him bang.† With the smallest, slightest tug, she pulls him forward, and Jack's heart pounds with the expectation of an embrace. What she does is far more extraordinary than a mere embrace: she lowers her head and, with two light, dry brushes of her lips, kisses his hands. Then she presses the back of his right hand against her cheek, and steps back. Her eyes kindle. â€Å"You know about the tape.† He nods. â€Å"I went mad when I heard it, but sending it to me was a mistake. He pushed me too hard. Because I fell right back into being that child who listened to another child whispering through a wall. I went crazy and I tried to rip the wall apart. I heard my son screaming for my help. And he was there on the other side of the wall. Where you have to go.† â€Å"Where we have to go.† â€Å"Where we have to go. Yes. But I can't get through the wall, and you can. So you have work to do, the most important work there could be. You have to find Ty, and you have to stop the abbalah. I don't know what that is, exactly, but stopping it is your job. Am I saying this right: you are a coppiceman?† â€Å"You're saying it right,† Jack says. â€Å"I am a coppiceman. That's why it's my job.† â€Å"Then this is right, too. You have to get rid of Gorg and his master, Mr. Munshun. That's not what his name really is, but it's what it sounds like: Mr. Munshun. When I went mad, and I tried to rip through the world, she told me, and she could whisper straight into my ear. I was so close!† What does Wendell Green, ear and whirling tape recorder pressed to the door, make of this conversation? It is hardly what he expected to hear: the animal grunts and moans of desire busily being satisfied. Wendell Green grinds his teeth, he stretches his face into a grimace of frustration. â€Å"I love that you've let yourself see,† says Jack. â€Å"You're an amazing human being. There isn't a person in a thousand who could even understand what that means, much less do it.† â€Å"You talk too much,† Judy says. â€Å"I mean, I love you.† â€Å"In your way, you love me. But you know what? Just by coming here, you made me more than I was. There's this sort of beam that comes out of you, and I just locked on to that beam. Jack, you lived there, and all I could do was peek at it for a little while. That's enough, though. I'm satisfied. You and Ward D, you let me travel.† â€Å"What you have inside you lets you travel.† â€Å"Okay, three cheers for a well-examined spell of craziness. Now it's time. You have to be a coppiceman. I can only come halfway, but you'll need all your strength.† â€Å"I think your strength is going to surprise you.† â€Å"Take my hands and do it, Jack. Go over. She's waiting, and I have to give you to her. You know her name, don't you?† He opens his mouth, but cannot speak. A force that seems to come from the center of the earth surges into his body, rolling electricity through his bloodstream, tightening his scalp, sealing his trembling fingers to Judy Marshall's, which also tremble. A feeling of tremendous lightness and mobility gathers within all the hollow spaces of his body; at the same time he has never been so aware of his body's obduracy, its resistance to flight. When they leave, he thinks, it'll be like a rocket launch. The floor seems to vibrate beneath his feet. He manages to look down the length of his arms to Judy Marshall, who leans back with her head parallel to the shaking floor, eyes closed, smiling in a trance of accomplishment. A band of shivery white light surrounds her. Her beautiful knees, her legs shining beneath the hem of the old blue garment, her bare feet planted. That light shivers around him, too. All of this comes from her, Jack thinks, and from A rushing sound fills the air, and the Georgia O'Keeffe prints fly off the walls. The low couch dances away from the wall; papers swirl up from the jittering desk. A skinny halogen lamp crashes to the ground. All through the hospital, on every floor, in every room and ward, beds vibrate, television sets go black, instruments rattle in their rattling trays, lights flicker. Toys drop from the gift-shop shelves, and the tall lilies skid across the marble in their vases. On the fifth floor, light bulbs detonate into showers of golden sparks. The hurricane noise builds, builds, and with a great whooshing sound becomes a wide, white sheet of light, which immediately vanishes into a pinpoint and is gone. Gone, too, is Jack Sawyer; and gone from the closet is Wendell Green. Sucked into the Territories, blown out of one world and sucked into another, blasted and dragged, man, we're a hundred levels up from the simple, well-known flip. Jack is lying down, looking up at a ripped white sheet that flaps like a torn sail. A quarter of a second ago, he saw another white sheet, one made of pure light and not literal, like this one. The soft, fragrant air blesses him. At first, he is conscious only that his right hand is being held, then that an astonishing woman lies beside him. Judy Marshall. No, not Judy Marshall, whom he does love, in his way, but another astonishing woman, who once whispered to Judy through a wall of night and has lately drawn a great deal closer. He had been about to speak her name when Into his field of vision moves a lovely face both like and unlike Judy's. It was turned on the same lathe, baked in the same kiln, chiseled by the same besotted sculptor, but more delicately, with a lighter, more caressing touch. Jack cannot move for wonder. He is barely capable of breathing. This woman whose face is above him now, smiling down with a tender impatience, has never borne a child, never traveled beyond her native Territories, never flown in an airplane, driven a car, switched on a television, scooped ice ready-made from the freezer, or used a microwave: and she is radiant with spirit and inner grace. She is, he sees, lit from within. Humor, tenderness, compassion, intelligence, strength, glow in her eyes and speak from the curves of her mouth, from the very molding of her face. He knows her name, and her name is perfect for her. It seems to Jack that he has fallen in love with this woman in an instant, that he enlisted in her cause on the spot, and at last he finds he can speak her perfect name: Sophie.

Tuesday, October 22, 2019

Free Essays on Objectivity Vs Relativity

Objectivity versus Relativity An Analysis of Natalie Davis’s The Return of Martin Guerre In his book, That Noble Dream, Peter Novick discusses the argument, in the historical profession over the noble dream of historical objectivity. The historical profession was founded in the late 19th century and it was founded on the ideal of firm historical objectivity. Between the two World Wars, this ideal of historical objectivity came into question as some historians began to support â€Å"historical relativism.† This counter to historical objectivity challenged the long supported notion that true history consists of facts alone. While this relativist view initially only served to put the hallowed notion of objectivity on the defensive, it did cause a significant disturbance in the historical profession as more and more young historians flocked to the relativist banner (Novick 16). In Natalie Zemon Davis’s book, The Return of Martin Guerre, about the famous case of a French peasant’s identity theft, she employs both objectivist and relativist views. Da vis begins her writing on Martin Guerre by expressing an objectivist purpose, but her writing does not uphold this purpose, as Davis’s arguments slip into the realm of relativity. The idea of historical objectivity has always been a central ideal for the historical profession. In basic, the elements of objectivity can be summed up as committing to the reality of the past and to the truth that goes along with that reality and a very harsh separation between the raw principle facts and any values that one might wish to attach to those facts (Novick 1). An objectivist must use only the facts, making sure to take them out of context with anything in the historian’s own time. The objective historian must look at all of the facts possible and analyze them with a clinical detachment, almost as, â€Å"an entomologist studying a quivering specimen impaled with a pin.† (Novick 14) Wh... Free Essays on Objectivity Vs Relativity Free Essays on Objectivity Vs Relativity Objectivity versus Relativity An Analysis of Natalie Davis’s The Return of Martin Guerre In his book, That Noble Dream, Peter Novick discusses the argument, in the historical profession over the noble dream of historical objectivity. The historical profession was founded in the late 19th century and it was founded on the ideal of firm historical objectivity. Between the two World Wars, this ideal of historical objectivity came into question as some historians began to support â€Å"historical relativism.† This counter to historical objectivity challenged the long supported notion that true history consists of facts alone. While this relativist view initially only served to put the hallowed notion of objectivity on the defensive, it did cause a significant disturbance in the historical profession as more and more young historians flocked to the relativist banner (Novick 16). In Natalie Zemon Davis’s book, The Return of Martin Guerre, about the famous case of a French peasant’s identity theft, she employs both objectivist and relativist views. Da vis begins her writing on Martin Guerre by expressing an objectivist purpose, but her writing does not uphold this purpose, as Davis’s arguments slip into the realm of relativity. The idea of historical objectivity has always been a central ideal for the historical profession. In basic, the elements of objectivity can be summed up as committing to the reality of the past and to the truth that goes along with that reality and a very harsh separation between the raw principle facts and any values that one might wish to attach to those facts (Novick 1). An objectivist must use only the facts, making sure to take them out of context with anything in the historian’s own time. The objective historian must look at all of the facts possible and analyze them with a clinical detachment, almost as, â€Å"an entomologist studying a quivering specimen impaled with a pin.† (Novick 14) Wh...

Monday, October 21, 2019

U.S. should limit WMD essays

U.S. should limit WMD essays Resolved that The United Federal government should establish a Foreign policy significantly limiting the use of weapons of mass destruction Intro- One can say it's easy to walk away from this, to lose hope. But we cannot walk away. We must not walk away. And we will not lose hope.''- Colin Powell, speaking at the foundation's spirit of humanity'' awards dinner. Because I agree with this viewpoint, I stand resolved that: The United States Federal Government should establish a foreign policy significantly limiting the use of weapons of mass destruction. To fully understand the resolution, we must first identify all key terms. Definitions come from the American Heritage High School dictionary. United States- a country of central and NW North America with coastlines on the Atlantic and Pacific oceans. It includes the non contiguous states of AK and HI ad various island territories in the Caribbean Sea and Pacific Ocean. Capital is Washington D.C. Population is 24,963,692 Federal- of, relating to, or being a form of government in which individual states recognize the seventy of a central authority but retain certain powers. Government- exercise of authority in a political unit; rule. Foreign policy- the diplomatic policy of a nation in its interaction with other nations Significant- having or expressing a meaning; meaningful Limit- to confine or restrict within a boundary or bounds Use- to put into service or apply for a purpose; employ Weapon- a means used to defend or defeat another Mass- large in comparison with what is typical or usual Destruction- the cause or means of destroying I will now offer the following contentions from the affirmatives standpoint. C1. The use of weapons of mass destruction causes harm to people. In many wars, weapons of mass destruction have been used. For the purposes of time budgeting, I will focus specifically on World War II, Vietnam, and ...

Sunday, October 20, 2019

Free sample - The Sun vs. the Moon. translation missing

The Sun vs. the Moon. The Sun vs. the MoonThe humankind might not once have asked the question of WHO we really are. It’s quite obvious, even to say normal. Our curiosity is kindled by a genuine interest to reach the inner gist of Universe nature, to conceive the interrelation of the processes, phenomena taking place around us. The ghost of uncertainty and obscurity seems to haunt us unless we get down to bed-rock. With this reference, with the aim to have a notion of the medium we live in and the outer space, not to get lost in the infinite answer-searching roads and directions, it is essential and rational to resort to the authoritative sources. Thus, such spring-well of our world perception formation is a scope of information received via constant research making stream. Therefore, taking into consideration the accumulated and currently obtained data, let’s take a walk into the planetarium and try to explore the Sun and the Moon, two contradictory and coherent entities. For this reason, our attention will be focused on elucidation of some inherent and enquiry-driven aspects which can assist us in making the review outline. Hence, we are going to shed the light on the Sun and the Moon structure and another quaint, intricate phenomenon concerned with the subject matters on question – eclipse. I.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The Natural characteristics of the Sun and the Moon. Striking, as it may be, what wonders can exist. At least the two of them are the Sun and the Moon both being celestial bodies with their specificities, features and peculiarities. Both of the entities are the constituents of the solar system. A. Criteria for comparison of the bodies of the Solar System To have a clear idea of the differences and similarities, it is necessary to examine the following criteria: position in the Solar System size; mass. B. The Sun characteristics. The Sun in the Solar system is a central star in the Solar System. Its diameter is about 1,392,000 km. The Sun is distanced from the Earth at about 149.6 million kilometers, what can change depending on the Earth movement. The hydrogen gas the Sun consists of enables the process if light emission. By means of photos we can see this light dispersion in the form of waves. Moreover, such pictures give us opportunity to view some other fascinating points such as color and surface. The inner core nuclear processes taking place in the Sun produce temperature of more than 10 million degrees (Kelvin). As a result, the Sun comprises a container of constantly boiling scope of gases. It’s probably hard to imagine how immensely much it is, speaking about the Sun’s mass being about 2 Ãâ€" 1030 kilograms. Regarding the way the Sun looks, it is changeable and depends on gas reaction. C. The Moon characteristics.   Unlike the Sun, the Moon is the Earth’s natural satellite. What is more, it takes an honorable place in the Solar System being the largest of natural satellites and the second densest. The structure of the Moon can be seen as plains dark in color, which are believed to have once been constituted by lava that with time span became solid. When judging the Moon’s size, we may state, that it’s  ¼ the diameter of the Earth. With reference to its mass, it also can’t but strike the human’s imagination - 7.3477 Ãâ€" 1022 kg. The whole Moon’s surface is covered with numerous craters resulted from asteroid activity in the past. D. Color perception   In contrast to the Sun’s color which is actually white though seems to the human eye as yellow, the Moon in its turn is just the giant reflector of the Sun’s light. Still, we also perceive the Moon as a light radiating entity. It’s a curious interaction, isn’t it? In this case we deal with an interesting trick of the eye sight.  Ã‚   II.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Eclipse. Giving the fact the Sun and Moon are the Solar System bodies, they are astonishingly interconnected. Now and again the world population can watch an exquisite scenery that blows up everyone’s skirt. Such Universe phenomenon comes to be eclipse.   When the Moon, Earth and Sun happen to be in one row like a chain we can see lunar and solar eclipse. In case when the Earth in this row appears in the middle between the Sun and Moon, we have the opportunity to observe the lunar eclipse. Contrary to this, is the scenario of solar eclipse. When the Moon and the Earth exchange their positions, the line is the following Sun, Moon and Earth. To make the long story short, we, humans, can’t examine, observe and study such unique celestial bodies as the Sun and Moon irrespective of the Earth, which we inhabit. Ahead of us we have a myriad of secrets that the infinite and boundless Universe conceals under the curtain of mystery.

Saturday, October 19, 2019

If terrorism ever justify Essay Example | Topics and Well Written Essays - 500 words

If terrorism ever justify - Essay Example A review of key studies done regarding terrorism show that it is not an easy topic to discuss much less understand. They point out that terrorism has deep roots in socio-political issues and as such have a great range of motivations and objectives (Edwards). It is for the same reason that the debate on whether terrorism can be justified or not is hard to settle. In general, most materials have been very critical of terrorist acts, citing their indiscriminate and long-term impact. There are also common assumption about who terrorists are and who are against it. At the same time, Jenkins says that there is an assumption that terrorism is always subversive or against social institutions. Singh points out that the radical ideas at the core of terrorism are not new or unique. It is considered as a valid military strategy and has been used successfully in many military campaigns among the world's greatest civilizations (377-379). At the same time, Jenkins points out that in consideration alone of the worldwide response to recent terrorist activities, there is no denying that it can be used against perceived abusers (71).

Friday, October 18, 2019

Business Oulining Research Proposal Example | Topics and Well Written Essays - 1000 words

Business Oulining - Research Proposal Example MARKETING PLAN From statistics, it showed that the existing similar businesses in the area are very few and don’t serve the population to maximum. The firm will ensure that it offers maximum products and services to the customers; the main targeted customers include individuals, institutions, contractors and other commercial and industrial customers. Price strategy will be laid down considering the corresponding cost of product, labour and prices charged by other competitors. The business will advertise its goods through posters, trade exhibitions and mass media. This will enable the business to compete effectively with other enterprises. The opportunity is quite promising since the competition is not that high. ORGANIZATION AND MANAGEMENT The owner of the business will be overall manager. Having obtained a Masters degree in Business Management hence will have high skills in management field. His duties will be setting business goals, making decisions, recruiting new employees and overall supervision of the business. The owner will employ a number of qualified staff who will assist in carrying out various duties involved in the business. The workers experts from the business related field. Recruitment of a new staff and motivation will be tactfully applied. Promotion of staff will be considered and incentives will be offered depending on qualifications, experience, long-service and hard working. The business will obtain all necessary legal documents e.g. licenses and the supportive services such as insurance, banking services shall be provided OPERATIONAL PLAN The business will operate on a considerable rented hall. It will start operating early January 2015. The premises will be equipped with all important facilities e.g. telephone, toilets, etc. Operational days will be throughout the week from 8.00 a.m. to 5.00 p.m. apart from Sundays and Public Holidays where the business shall remain closed. Financial plan The estimated amount of money required to s tart the business is $20,000. The source of the funds will be personal savings of $5000 shillings, a bank loan of $12,000 and donation from friends and well wishers of $2000. The break-even point of the business is estimated to be $ 15000 and the gross profit margin ration is estimated to be 87.97%. the business plans to make contact to 300 business owners per month and convert it to total of 15 sales per month in a minimum of 10,000 loan request from merchants at 5% commission will be estimated income of $7500 per month. I am expecting to pay back the amount monthly in 5 years. I am passionate in helping small business to survive. Item Cost E-mail greeting for sales $50 Desk top $900 Desk and chair purchase $200 Leads to call $700 for 3 months $2100 Paper and office supplies $700 Simple website set up $500 Home line and greeting setup $100 Email and domain setup $20 Hire an attorney for applications and agreements with Merchants $500Â   Create a company name and other company setu ps $800 List of questions for Merchants 400 CRM $5500 Extra Employee pay for 3 months $7200 Total $15,000 Executive Summary Rosie Neek investment Limited is an Independent sales operator (ISO) working in the merchant industry to help build profitable businesses by lending to potential customers. They serve as links to business requiring capital boosts while charging transaction, statements and monthly minimum fees. The business is based in 40 Wall Street, New York. ISOs makes business to

Article Review Essay Example | Topics and Well Written Essays - 500 words

Article Review - Essay Example Moreover, the limited funding usually available to managers of non-profits make them focus on only high-priority tasks, sacrificing quality of management. Hence, there is an inherent trade-off between management efficiency and leadership quality. Most non-profits seem to have one or the other; but the most successful few are those that display both these characteristics. Most leaders of non-profits surveyed for the article do indeed recognize this trade-off and admit to short-comings in their management standards. In their willingness to improve the same, these leaders were open to learning new techniques and principles and adopting them to their organizations. Some of them have already implemented some of principles and tasted success. The first of such measures is Getting Strategic Clarity. Achieving strategic clarity â€Å"means answering, in very concrete terms, two questions that are core to a nonprofit’s mission: What impact are we prepared to be held accountable for? A nd â€Å"What do we need to do - and not do - in order to achieve this impact?† (Stid & Bradach, 2009, p.37) By answering this set of questions, leaders are in a better position to align their resources and processes around core objectives.

Research Guide Essay Example | Topics and Well Written Essays - 500 words

Research Guide - Essay Example It also aims to publish original and definitive research papers, in which the emphasis is placed on new engineering construction and design developments. The Institution of Civil Engineers’ website https://www.ice.org.uk/ provides student career advice, conference lists, and useful source references for civil engineering aspects. Another relevant website is http://www.icivilengineer.com/, which provides numerous links to hand-picked websites containing information on civil and structural engineering and technology. A third website is http://www.cif.org/, which is managed by the Construction Innovation Forum that seeks to recognize construction industry innovations that improve cost effectiveness, efficiency, and quality of structures and constructions. Finally, the American Society of Civil Engineers runs the http://www.asce.org/ website that has a membership of almost 150,000 in more than 140 countries. This website provides access to journals, magazines, papers, and books related to civil and structural engineering. Lignos, D. G., Hikino, T., Matsuoka, Y., & Nakashima, M. (2012). Collapse assessment of steel moment frames based on E-Defense full-scale shake table collapse tests. Journal of Structural Engineering, 139(1), 120-132 Lignos et al (2012) set out to investigate the critical parameters that influence steel frame structure numerical modeling for reliable simulations of structure collapse. The authors base their collapse evaluations on experimental data from a four-story steel moment frame full-scale shaking table collapse test, as well as a parallel blind numerical analysis contest. They find that prediction of sideways collapse mechanism for regular plan view buildings using 3D and 2D analyses has no clear advantage. They specifically note that a combination of local buckling delays in first story columns and increased bending strength is effective in enhancing

Thursday, October 17, 2019

The Largest Health Insurance Firms in the US Essay

The Largest Health Insurance Firms in the US - Essay Example If ObamaCare succeeds in creating oligopolies, the insurance sector may experience some problems for example high operating costs and premiums, low-quality service and less innovation that would otherwise improve service provision. The merging of the firms would significantly reduce competition. In a non-oligopolistic market, insurance firms strive to gain competitive advantage over other fellow service providers. Providing quality service at affordable prices is an essential competitive advantage. Therefore, competition is necessary as it guarantees the proper performance of insurance as opposed to an oligopolistic market scenario.Conversely, the creation of oligopolies would also benefit clients and shareholders. If insurance firms come together to form a single commercial entity, the standardization of benefits that accrue to clients would be possible and premiums may be adequately controlled. As a result, mergers would attract more customers compared to independent insurance firm s. The interest of shareholders is to reduce overhead costs in administration and other expenses. Consolidation of the insurance industry would initiate a centralized administrative system that would control the firms under the oligopoly and reduce the subsequent administrative costs.In addition, ObamaCare advocates for extensive consolidation of hospitals and health care services. Large health care facilities are in a better position to provide quality services and maintain best practices by use of the vast resources that are available.

Wednesday, October 16, 2019

A review Article Example | Topics and Well Written Essays - 1500 words

A review - Article Example She sheds light on the uneasy relationship of Computer Assisted Language Learning (CALL) and Second Language Acquisition (SAL) processes and gives an account of the present state of the art and points towards the new and challenging directions of SAL. Chapelle writes â€Å"The point of departure for this article is the dissimilarity between the theoretical landscape within view of language teaching professionals in 1991 and that of today†. (p.741)The pragmatic goal of computer-assisted language learning (CALL) developers and researchers to create and evaluate learning opportunities and a variety of theoretical approaches to second language acquisition (SLA) which have developed, are alternative beats of the same heart. The multiple theoretical perspectives grouped into four general approaches support this perspective as elucidated by Chapelle who writes: â€Å"Cognitive linguistic (Universal Grammar, autonomous induction theory, and the concept-oriented approach); psycholinguistic (processibility theory, input processing theory, interactionist theory); human learning (associative-cognitive CREED, skill acquisition theory); and language in social context (sociocultural, language socialization, conversation analysis, systemic-functional, complexity theory)† ( p.741). Technological advances and internet revolution and the resultant changes have necessitated modifications of communicative competitive theory and this has proffered a direct challenge to Second Language Acquisition (SLA). This theory lays much emphasis on natural talents and process through which a student undergoes, than in instructed SLA. As per this theory, the learning process goes on without the student being actively conscious of it. The process is just like the elementary command on the mother-tongue exercised by a child even before going to school and that process of self-education goes within the perimeters of the household and immediate

The Largest Health Insurance Firms in the US Essay

The Largest Health Insurance Firms in the US - Essay Example If ObamaCare succeeds in creating oligopolies, the insurance sector may experience some problems for example high operating costs and premiums, low-quality service and less innovation that would otherwise improve service provision. The merging of the firms would significantly reduce competition. In a non-oligopolistic market, insurance firms strive to gain competitive advantage over other fellow service providers. Providing quality service at affordable prices is an essential competitive advantage. Therefore, competition is necessary as it guarantees the proper performance of insurance as opposed to an oligopolistic market scenario.Conversely, the creation of oligopolies would also benefit clients and shareholders. If insurance firms come together to form a single commercial entity, the standardization of benefits that accrue to clients would be possible and premiums may be adequately controlled. As a result, mergers would attract more customers compared to independent insurance firm s. The interest of shareholders is to reduce overhead costs in administration and other expenses. Consolidation of the insurance industry would initiate a centralized administrative system that would control the firms under the oligopoly and reduce the subsequent administrative costs.In addition, ObamaCare advocates for extensive consolidation of hospitals and health care services. Large health care facilities are in a better position to provide quality services and maintain best practices by use of the vast resources that are available.